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取材自國立故宮博物院明代玉鰲魚花插的藻荇風線描作品〈玉鰲〉｜Alllgae Style line drawing Jade Fish-Creature inspired by the Ming dynasty jade Ao-fish flower holder from the National Palace Museum｜国立故宮博物院蔵・明代玉鰲魚花插をもとにした藻荇風線描作品《玉の鰲》

玉鰲｜Jade Fish-Creature｜玉の鰲

取材自國立故宮博物院藏明代玉鰲魚花插，以藻荇風極簡線條重構鰲魚仰首出水之勢，聚焦形未定而化已至的臨界瞬間｜Derived from the Ming dynasty jade Ao-fish flower holder in the collection of the National Palace Museum, this Alllgae Style work reinterprets the upward surge of the Ao through minimalist linework, capturing the moment where form dissolves into transformation｜国立故宮博物院蔵・明代の玉鰲魚花插を取材とし、藻荇風の簡潔な線によって、鰲が水面より現れ変じゆく臨界の瞬間を描く

取材自國立故宮博物院明代玉鰲魚花插的藻荇風線描作品〈玉鰲〉｜Alllgae Style line drawing Jade Fish-Creature inspired by the Ming dynasty jade Ao-fish flower holder from the National Palace Museum｜国立故宮博物院蔵・明代玉鰲魚花插をもとにした藻荇風線描作品《玉の鰲》

取材自國立故宮博物院藏明代玉鰲魚花插

Derived from the Ming dynasty jade Ao-fish flower holder in the collection of the National Palace Museum
国立故宮博物院蔵・明代の玉鰲魚花插を取材として

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〈玉鰲〉

皞皞，
蕭蕭，
滔滔。

尾捲，
身扭，
頭出水⋯⋯

化！

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Jade Fish-Creature

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Vast,
bleak,
surging.

The tail coils,
the body twists,
the head breaks the water…

Transformed!


玉の鰲

皞々、
蕭々、
滔々。

尾は巻き、
身はよじれ、
頭、水より現る……

変ず。

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