藻荇風作品〈肉形石〉，以極簡筆線重構國立故宮博物院收藏的肉形石，呈現如脂似肉之形與石壓浪承之勢，並引入宋徽宗〈瑞鶴圖〉之丹頂鶴與武元直〈赤壁圖〉之小舟意象，一聲鶴唳使天地頓開，在日常與江山之間留下觀者自省的空間。 The Alllgae-style illustration Meat-Shaped Stone reinterprets the famous Meat-shaped Stone from the National Palace Museum through minimalist linework, evoking its marbled texture and quiet weight while introducing the crane motif from Emperor Huizong’s Auspicious Cranes and the boat from Wu Yuanzhi’s Red Cliff. A distant crane’s cry opens the space of the scene, leaving room for reflection between the ordinary and the vast landscape of the mind. 藻荇風の線画〈肉形石〉は、国立故宮博物院所蔵の肉形石を題材に、簡潔な線で脂のような質感と石の静かな重みを表しつつ、宋徽宗「瑞鶴図」の丹頂鶴と武元直「赤壁図」の小舟の意匠を重ねる。一声の鶴の啼きが空間をひらき、日常と江山のあいだに余白の思索を残す。