佛教意象

Acala

藻荇風插畫〈不動明王〉：極簡留白線條描繪不動明王，舉劍持羂索，怒目齜牙，髮指蒼天，身影如山。 Alllgae Illustration Acala: minimalist linework depicting Acala holding a sword and rope, with fierce eyes, bared fangs, upward-flowing hair, and a mountain-like presence. 藻荇画〈不動明王〉：剣と羂索を持つ不動明王を極簡な線で表現し、怒りの眼差しと牙、天を指す髪、山のような佇まいを描く。

Contemplation

藻荇風插畫〈觀〉：取材自《異代同戲圖卷》觀音射擊，黑白線條描繪持弓將發之勢，長線入空，呈現氣之未盡。Minimalist Alllgae line drawing Contemplation inspired by the Guanyin aiming scene in Different Eras, Same Scenes, showing a poised release with a line extending into open space. 藻荇風イラスト〈みる〉：『異代同戯図巻』の観音射撃に基づき、弓を引く瞬間を簡線で描き、線が余白へと伸びる構図。

The Buddha

藻荇風插畫《佛公》：黑白線條勾勒彌勒坐像，腹圓手垂，笑意內收，留白形成氣場與視線流動。Alllgae Illustration The Buddha: black-and-white linework depicting a seated Maitreya with rounded belly and relaxed hands, where blank space sustains the flow of gaze and breath. 藻荇画《仏》：白黒の線で弥勒の坐像を描き、円い腹と垂れた手、内に収まる笑みを余白が支え、視線と気の流れを生む。

Neither

藻荇風插畫《不負如來不負卿》：極簡線條描繪倉央嘉措盤坐於佛前、背向佛像而手持花朵，象徵佛法與人間情感之間無法雙全、卻仍必須承擔的倫理張力。Minimalist illustration Neither by Alllgae depicting Tsangyang Gyatso seated before a Buddha with his back turned, holding a single flower as a symbol of bearing both sacred vows and human love without resolution. 藻荇風の極簡線画《背かず》は、仏に背を向け花を手に坐すツァンヤン・ギャツォの姿を通じ、仏道と愛のいずれにも背かぬという沈黙の重さを表現している。

Anger and Compassion

藻荇風插畫〈怒與悲〉：以黑白極簡線條描繪金剛怒目的逼視與菩薩低眉的靜寂，表現憤怒與慈悲並存的張力。Minimalist illustration Anger and Compassion: black-and-white linework capturing the contrast between the Vajra’s wrathful gaze and the Bodhisattva’s serene compassion. 藻荇風の極簡線画〈怒と悲〉：金剛の鋭い怒目と菩薩の静かな低眉を対比させ、怒りと慈悲の緊張を表現する。

Jianzhen

藻荇風插畫〈東渡〉：簡筆黑白線條描繪鑒真大師東渡的旅程，以海霧、巨浪與帆影意象呈現願力與堅心，象徵從風浪至彼岸的精神跨越。Minimalist illustration To the Eastern Shore: black-and-white linework depicting Master Jianzhen’s eastward voyage, using mist, waves, and flowing robes to express vow, endurance, and arrival at the eastern shore. 藻荇風の極簡線画〈東へ渡る〉：海霧と巨浪の中を進む鑒真和上の姿を描き、願心と忍耐、そして彼岸への到達を象徴する。

Tripitaka

藻荇風插畫〈安行〉：極簡黑白線條勾勒唐三藏西行之姿，錫杖鏗鏘、法冠清明，展現不急不懼的安行心境。 Minimalist Alllgae illustration A Journey in Stillness: black-and-white linework depicting Tripitaka’s calm westward steps, with a resonant alms staff and a luminous Dharma crown expressing unhurried inner stillness. 藻荇風の極簡線画〈安らぎの行〉：錫杖の音と法冠の光をもって三蔵の静かな歩みを表し、安らぎに満ちた行の心を示す。

Ease

藻荇風插畫〈自在〉：以納爾遜藝術博物館藏遼代〈水月觀音〉為原型，極簡黑白線條描繪觀音安然之姿。Minimalist illustration Ease: black-and-white linework inspired by the Liao-dynasty Water-Moon Guanyin in the Nelson-Atkins Museum of Art, symbolizing serenity and inner ease within worldly existence. 藻荇風の極簡線画〈自在〉：ネルソン・アトキンス美術館所蔵の遼代《水月観音》を題材に、静寂とやすらぎを表現する。

Buddha’s Hand

藻荇風插畫〈佛手〉：黑灰線條構成佛手柑的合掌形，象徵香氣流動與靜謐心境。Minimalist illustration Buddha’s Hand: black-and-grey linework forming the praying shape of a citron, symbolizing flowing fragrance and inner calm. 藻荇風の極簡線画〈仏手（ぶっしゅ）〉：黒と灰の線で祈る形の仏手柑を描き、香の流れと静寂の心を表す。

Five Kalpas of Contemplation

藻荇風插畫〈五劫思惟〉：黑白線條簡筆勾勒阿彌陀佛合掌閉目之像，象徵歷五劫而思惟眾生苦。 Minimalist illustration “Five Kalpas of Contemplation”: Amitabha in meditative contemplation, hands joined, symbolizing aeons of compassionate reflection. 藻荇風の極簡線画〈五劫の思惟〉：掌を合わせ瞑目する阿弥陀仏、衆生を観じる五劫の思惟を表す。

Fearless and Giving

藻荇風插畫〈無畏與願〉：極簡黑白線條描繪佛陀右手施無畏印、左手與願印，象徵止惡與施恩的雙重慈悲。 Minimalist illustration “Fearless and Giving”: black-and-white depiction of Buddha’s right hand in abhaya mudrā and left in varada mudrā, symbolizing protection and compassion. 藻荇風の極簡線画〈無畏と願い〉：右掌に施無畏印、左掌に与願印を描き、恐れを鎮め、福を施す象徴。

Response

藻荇風插畫〈回應〉：極簡黑白線條描繪雙頭佛身影，一佛回應兩善信，為三界帶來安慰。取材自西夏黑水城佛教遺物。 Minimalist illustration “Response”: a double-headed Buddha sketched in black lines — one figure responding to two believers, offering peace to the three realms. Inspired by a Buddhist relic from Western Xia’s Khara-Khoto. 藻荇風の線画〈応え〉：黒線で描かれた二面仏、一体の仏が二人の信者に応え、三界に安らぎを届ける。西夏・黒水城の仏教遺物に着想を得た。

Turning Back

藻荇風插畫〈回首〉：以極簡黑白線條描繪回首的佛影，灰線如氣流、紅唇如慈念，象徵佛心流動與等待眾生。 Minimalist line illustration “Turning Back”: the Buddha rendered in black and gray lines, with a subtle red lip symbolizing compassion and the act of waiting for humankind. 藻荇風の極簡線画〈見返り〉：黒と灰の線で描かれた阿弥陀の姿、唇の赤が慈悲を示し、衆生を待つ心を象徴する。

Breaking Zen

Into the Void

藻荇風插畫〈留影入空〉：極簡佛教意象，心懷世尊，目見空相，沙礫化空，證得菩提。 Minimalist illustration Into the Void: Buddhist imagery, reverence for the World-Honored One, emptiness dissolving into sand, proof of enlightenment. 藻荇風「空へと留む影」：極簡仏教意匠、世尊を懐き、空相を観じ、砂礫となり、菩提を証す。

Flying Apsara

藻荇風插畫〈飛天〉：極簡黑白線條，描繪飛舞天女自石窟浮出，象徵清淨與超脫。 Minimalist illustration “Flying Apsara”: a celestial maiden sketched in pure lines, emerging from grotto walls, embodying purity and transcendence. 藻荇風の極簡線画〈飛天〉：石窟より舞い出る天女、清浄と超脱を象徴。

Willow Branch, Sweet Dew

藻荇風插畫〈楊枝甘露〉：瓶立水紋，枝葉舒展，以留白象徵佛法普施，慈悲灑淨。 Minimalist illustration Sweet Dew: a vessel standing in ripples, willow branch above, expressing the universal compassion of Avalokiteśvara. 藻荇風のミニマル線画〈楊枝甘露〉：水面に瓶を置き、楊柳を伸ばし、法水普施の慈悲を余白に託す。

The Great Buddha Beyond

藻荇風插畫〈彼岸大佛〉：黑白線條勾勒大佛端坐形象，象徵千年沉默與指點迷途。 Minimalist illustration “The Great Buddha Beyond”: Buddha seated in solemn stillness, symbolizing timeless silence and guidance. 藻荇風の極簡線画〈彼岸の大仏〉：静かに座す大仏、沈黙と導きを象徴。

Silent as the Mountain

藻荇風插畫〈守靜如山〉：極簡佛像線條，雙手合十靜坐，表達沉穩與清明。 Minimalist illustration “Silent as the Mountain”: a Buddha-like figure sitting in calm silence, hands folded in meditation. 藻荇風の線画〈山のように静かに〉：合掌して座る姿、沈黙と明晰を象徴。

Mind like a river

藻荇風人物插畫〈神思若川〉：低眉沉思的人物，以留白線條表現心神如川流。 Minimalist portrait “Mind Flowing Like a River”: a pensive figure, thoughts coursing in quiet flow. 藻荇風の線画〈神思は川のごとし〉：物思いにふける姿、思念の流れを描く。