宋朝意象

Guqin

藻荇風插畫〈聽琴〉：極簡黑白線條取材自宋徽宗〈聽琴圖〉一隅，呈現風拂樹影與按弦未震之境，意在聲未起而聞已生。Minimalist Alllgae illustration Guqin, inspired by a detail from Emperor Huizong’s Listening to the Guqin, depicting wind-touched shadows and strings pressed yet unvibrated, where listening arises before sound. 藻荇風の線画〈古琴〉：宋徽宗「聴琴図」の一隅をもとに、風に揺れる影と、押さえられたまま震えぬ弦を描き、音の前にすでに「聞く」が生じる瞬間を示す。

Meat-Shaped Stone

藻荇風插畫〈肉形石〉：極簡黑白線條描繪國立故宮博物院藏肉形石，呈現如脂似肉紋理與石壓浪承之勢，並結合宋徽宗〈瑞鶴圖〉之鶴與武元直〈赤壁圖〉之舟，一聲鶴唳開天地。 Alllgae Style illustration Meat-Shaped Stone: minimalist black-and-white line drawing of the National Palace Museum Meat-Shaped Stone, combining the crane of Auspicious Cranes and the boat of Red Cliff, where a crane’s cry opens the space. 藻荇風の線画〈肉形石〉：国立故宮博物院の肉形石をもとにした極簡線画。宋徽宗「瑞鶴図」の鶴と武元直「赤壁図」の舟を合わせ、鶴の一声が空間をひらく。

Butterfly in Air

藻荇風插畫《蝶舞》：以宋徽宗瘦金體「舞」字為骨架，融合〈山花舞蝶卷〉與〈穠芳詩帖〉意境，黑白線條呈現蝶影與庭中氣流的交織。Minimalist Alllgae Illustration Butterfly in Air: structured on Emperor Huizong’s Slender Gold “Wu,” integrating the imagery of Shanhua Wudie Scroll and Nongfang Poetry Manuscript to evoke butterflies and flowing air in monochrome linework.藻荇風《蝶の舞》：宋徽宗の瘦金体「舞」を骨格とし、〈山花舞蝶巻〉〈穠芳詩帖〉の情景を融合し、白黒線で蝶影と庭中の気流を表現する。

Bamboo Horse

藻荇風插畫《竹馬行》：黑白極簡線條描繪孩童騎竹馬奔跑之姿，衣飄影逐，氣息未定。Alllgae minimalist line illustration Bamboo Horse: black-and-white depiction of a child riding a bamboo horse, garments drifting and shadow pursuing, breath still unsettled. 藻荇風の極簡線画《竹馬の歌》：白黒の線で竹馬に乗る子どもの姿を描き、衣は舞い影は追い、息はまだ弾んでいる。

White-eye

藻荇風極簡線描〈繡眼鳥〉，黑白構圖呈現鳥上竄下跳、左顧右盼之瞬間，取材自南宋林椿《枇杷山鳥圖》。Minimalist black-and-white line illustration White-eye in Alllgae Style, depicting darting movement and shifting glances, inspired by Lin Chun’s Loquat and Mountain Bird (Southern Song). 藻荇風のモノクロ線画〈メジロ〉、上下に跳ね左右をうかがう瞬間を描き、南宋・林椿《枇杷山鳥図》を参照。

Sparrow

藻荇風插畫《麻雀》：黑白極簡線描再構北宋崔白《寒雀圖》，羽勢放射、空白成風。Minimalist black-and-white Alllgae linework inspired by Cui Bai’s Cold Sparrow (Northern Song), radiating wing force within expansive white space. 藻荇風の極簡線画《雀（すずめ）》：北宋・崔白《寒雀図》に着想を得た白黒線描、放射する羽勢と広がる余白。

Jade Duck

藻荇風插畫〈玉鴨〉：極簡黑白線條描繪行走中的玉鴨，取材自台北故宮宋元黃玉鴨舊藏，線條留白象徵歷史步伐與時間的沉澱。Minimalist illustration Jade Duck: black-and-white linework inspired by the Song–Yuan yellow jade duck from the National Palace Museum, Taipei, evoking historical movement through restrained steps and empty space. 藻荇風画〈玉の鴨〉：台北故宮旧蔵の宋元黄玉鴨を題材に、最小限の線と余白によって、時を歩む器物の静かな気配を表現する。

Rest

藻荇風插畫〈歇息〉：極簡黑灰線條描繪舟中歇息之人，人物抱槳而眠，象徵休息中仍承載現實重量。Minimalist Alllgae illustration Rest: black-and-gray linework depicts a resting figure in a boat, holding an oar as a symbol of reality not yet released. 藻荇風の極簡線画〈憩い〉：舟上で櫂を抱いたまま休む人物を描き、休息の中に残る現実の重みを表現する。

Camel

藻荇風插畫〈行〉，取材自《清明上河圖》，以黑白極簡線條描繪城市中的駱駝與牽繩，呈現其行進於城市空間中的狀態。 / Alllgae Illustration Walking, inspired by Along the River During the Qingming Festival: minimalist black-and-white linework showing a camel led through an urban scene. / 藻荇風イラスト〈行く〉『清明上河図』取材、都市空間における駱駝と牽き綱を黒白の簡潔な線で表した作品。

Cold Angling

藻荇風插畫〈寒釣〉：極簡黑白線條描繪孤舟釣者，轉譯南宋馬遠《寒江獨釣圖》的邊角構圖與留白意境。Minimalist black-and-white Alllgae illustration Cold Angling, inspired by Ma Yuan’s Angler on a Wintry River (Southern Song Dynasty), featuring a lone angler and boat rendered through sparse linework and open space. 藻荇風の極簡線画〈寒さの釣り〉：南宋・馬遠《寒江独釣図》を参照し、余白と簡潔な線で孤独な釣人と舟を描いた作品。

Golden Pheasant

藻荇風插畫〈顧〉：以極簡黑白線條描繪仰首之鳥，取材自宋徽宗《芙蓉錦雞圖》錦雞觀蝶的構圖，強調留白中的視線流動與靜中之喜。Minimalist black-and-white Alllgae illustration Regard, inspired by Emperor Huizong of Song’s Hibiscus and Golden Pheasant, depicting an upward-looking golden pheasant with flowing negative space and restrained delight. 藻荇風の極簡線画〈顧み〉：宋徽宗《芙蓉錦鶏図》に着想を得た、上方を仰ぐ錦鶏の姿を白地と線で表し、余白の中に視線の動きと静かな喜びを宿す。

Curiosity

藻荇風插畫〈好奇〉：以極簡黑白線條取材自南宋李嵩〈骷髏幻戲圖〉，描繪白骨操偶與嬰孩伸手，呈現人類對死亡背後力量的天生好奇。Minimalist Alllgae illustration Curiosity: black-and-white linework inspired by Li Song’s Skeleton Fantasy Show, showing a skeleton puppeteer and a reaching child to symbolize humanity’s innate curiosity toward the forces behind death. 藻荇風の極簡線画〈好奇心〉：李嵩〈骷髏幻戲圖〉に着想を得て、骸骨の操りと赤子の手を伸ばす姿を通し、死の背後にある力への本源的な好奇を表現する。

Earthbound Immortal

藻荇風插畫《地行仙》：以黑白極簡線條轉化宋代梁楷《潑墨仙人圖》的潑墨氣勢，呈現地行仙的沈靜步伐；alllgae minimalist illustration Earthbound Immortal transforms Liang Kai’s Ink-Wash Immortal into clean linear forms and quiet rhythm; 藻荇風《地行仙》は梁楷《潑墨仙人圖》を線の美へ転化した作品。

Loong Painting

藻荇風插畫〈畫龍〉：極簡黑白線描化用南宋陳容《墨龍圖》之勢，再現中國龍昂首升雲的古風，象徵在觀察與臨摹中孕育自家筆意。 Minimalist illustration Loong Painting (Chinese Dragon): black-and-white linework inspired by the dynamic composition of Chen Rong’s Southern Song painting “Ink Dragon”, expressing the dragon rising through clouds as a metaphor for artistic growth. 藻荇風の極簡線画〈画龍〉（がりゅう）：南宋・陳容《墨龍図》を参照し、雲へ昇る龍勢を象り、学びの中で筆意が生まれる過程を描く。

Childhood Companions

藻荇風插畫〈童伴〉：取材自宋人〈冬日嬰戲圖〉，以極簡黑白線條描繪兩名童子追逐嬉戲、旗影搖風，象徵童年之喜在歲月中淡去並結成眉宇間的失落。Minimalist Alllgae-style illustration Childhood Companions, inspired by the Song painting Winter Play of Children: black-and-white linework showing two children at play, their fleeting joy later settling into quiet sorrow. 藻荇風線画〈童の友〉：宋代〈冬日嬰戯図〉を基に、童の遊びを極簡線で表し、幼き歓びが時を経て眉間の寂しさに沈む様を象徴する。

Kirin

藻荇風插畫〈麒麟〉：以極簡黑白線條取材自南宋馬麟《三官出巡圖》的麒麟，半身留白、雲氣輕行，呈現古今期盼倒置的詩意對照。Minimalist Alllgae-style illustration Kirin: black-and-white linework inspired by the qilin in Ma Lin’s Procession of the Three Officials, using blank space and flowing cloud-lines to contrast ancient hopes with their modern reversal. 藻荇風の線描〈麒麟〉：南宋・馬麟『三官出巡図』の麒麟を題材に、極簡の墨線と広い余白で、古今の願いが反転する詩性を描き出す。

Crescent

藻荇風插畫〈月牙〉：極簡黑白線條描繪民間包拯形象，呈現額上月牙的象徵與其月暈般潔白的正氣。Minimalist illustration Crescent: black-and-white linework portraying Bao Zheng with a symbolic crescent and the soft lunar purity of his righteousness. 藻荇風の線画〈三日月〉：額の三日月と包拯の清らかな正気を簡潔な線で表す。

Ru Meng Ling

藻荇風插畫〈如夢令〉：以綠葉紅花象徵「綠肥紅瘦」，以簡筆留白呈現李清照詞中的春愁與醒思。Minimalist illustration Rú Mèng Lìng: green leaves and red blossoms evoke “the greens grow lush, the reds turn thin,” expressing the quiet melancholy of Li Qingzhao’s verse. 藻荇風の極簡線画《如夢令》：緑と紅の対比により「緑は肥え、紅は痩せゆく」を象徴し、静かな春愁を表現する。

Ease of Mind

藻荇風插畫〈寬心〉：以極簡黑白線條描繪蘇軾形象，象徵風雨中之達觀與胸中留白的自在。 Minimalist illustration “Ease of Mind”: a black-and-white line depiction of Su Shi, symbolizing serenity through hardship and the spaciousness of the mind. 藻荇風の極簡線画〈寛き心〉：風雨の中に達観を保ち、胸に白を残す自由の象徴。

Mountain Journey

Bearer

藻荇風插畫〈盛〉：極簡線條描繪汝窯青瓷蓮花式溫碗，開片如冰裂，釉色如天青，象徵宣和年間的餘光仍盛於器中。 Minimalist illustration “Bearer”: a Ru kiln celadon lotus warming bowl reimagined with fractured lines and subtle blue tone, holding a glimmer from the Xuanhe reign. 藻荇風の極簡線画〈盛（たたう）〉：氷裂のようなひび、雨晴れの青、宣和の時代の光を盛る蓮形の温碗。

Breaking Zen

Ridge Crane

藻荇風插畫〈脊鶴〉：極簡黑白線條，描繪孤鶴立於瓦脊，遙望遠去的宋朝，寓意孤高、回望與等待。 Minimalist illustration Ridge Crane: a lone crane drawn in sparse lines upon a roof ridge, symbolizing solitude, memory, and anticipation. 藻荇風の線画「脊の鶴」：屋脊に立つ孤鶴を簡潔に描き、宋の記憶を望み、孤高さと待つ心を象徴する。

Dream Pillow

藻荇風插畫〈夢枕〉：極簡黑白線條嬰兒安眠姿態，象徵純真與對人生如夢的哲思。 Minimalist illustration “Dream Pillow”: infant resting in simple black lines, symbolizing innocence and fleeting life. 藻荇風の極簡線画〈夢枕〉：嬰児の安らぎを線で描き、純真と人生夢幻を表す。

Wrestling

藻荇風畫作〈角力〉，黑白二貓扭打，留白構圖，取意天地角力，參考宋徽宗《耄耋圖》。Alllgae artwork Wrestling: two cats in black and white wrestling, minimalist blank space composition, evoking cosmic struggle, inspired by Huizong’s Aged Cats. 藻荇風作品〈力比べ〉、黒と白の二匹の猫が取っ組み合う。余白を活かし、天地の角力を象徴、宋徽宗『耄耋図』を参照。

Huizong

藻荇風插畫〈徽宗〉：極簡黑白線條勾勒宋徽宗端坐，象徵盛極而衰的美與嘆息。 Minimalist illustration “Huizong”: Song emperor seated in stark lines, embodying the paradox of grandeur and downfall. 藻荇風の極簡線画〈徽宗〉：端座する宋徽宗、繁栄と衰亡を映す象徴。